And
They Lived Happily Ever After?
A
Look Inside the Life of Stroke 9
Backstage Pass Special
by Debbie Seagle
While reading
the press kit on this most recent assignment with Stroke 9, I was reminded
of one of my favorite children’s movies "Willie Wonka & The Chocolate
Factory." Those who have seen it may recall the very end when the
beloved Willie Wonka places his fabulous chocolate factory in the hands
of young Charlie. And here’s the pay-off line folks . . . he looks
at the bewildered boy and says "Don’t forget what happened to the man who
suddenly got everything he always wanted." And Charlie asks "What?"
With a huge smile on his face Wonka replies "He lived happily ever after
. . ." Pass me a tissue . . . those of you who didn’t
catch the movie don’t have any idea what I’m talking about, but the gist
of this is, in the movie, Charlie was the one who worked hard and made
sacrifices, while others didn’t work for what they wanted.
Now, fast forward
to the present day . . . Many of us grow up wanting to be a rock star.
Most of us grew up jumping up and down on our beds, playing air guitar
and singing into our hair brushes. (Come on now, its just me, I’m
not going to tell anybody. You did sing into your hair brush, didn’t
you?) But how many of us were willing to take it a step further and
really go out and earn the right to be called a rocker? Okay, I’m
bringing this home now. Enter Stroke 9, currently on tour to promote
their first major label CD, "Nasty Little Thoughts," which has spawned
the addictive single "Little Black Back Pack."
Three of the four
band members went to school together and had more than a passing interest
in music. In their senior year of high school, Greg (bass, previously
the drummer) and Luke (vocals, guitar) had a class called "Rock Band,"
in which they were to produce a six song demo for a final grade (grade
unknown!) Although everyone went their own way for college, during
summers back in California, Luke and Greg wanted to get the band back together.
After several line up changes, stretched over approximately eight years,
Eric Stock (drums) joined the band and in 1998 they were signed to Cherry/Universal
Records, after a bidding war that included most of the major labels.
How do a group
of guys that love to play music together get to this point? Maybe
it was moving into Luke’s garage to seriously write songs together, or
maybe it was playing gigs in any café, club or party that would
have them. They self produced two CDs, "Boy Meets Girl," and "Bumper
to Bumper" and in 1996 booked their own North American tour. This
took a lot of guts, considering they had no hit single, and no established
band to tour with. To support themselves while on this tour, they
would go to shopping malls and ask kids to listen to their album on their
discman. They would try to sell enough CDs during the day to keep
moving on down the road. (Okay, just a quick check now, how
many of us would have cashed out by now - raise your hand.)
Not being afraid
to work for what they dreamed of paid off in the long run. Steadily
the group was building a following and the record labels began to catch
wind of it. Their signing in 1998 and subsequent role in that year’s
Ron Howard film "EdTV" have been the next level of a long and labor intensive
"over night" success. Heavy on charisma, musicianship and harmonies
that grab at you, they exhibit a chemistry that is normally seen in bands
who have achieved the status of "veteran."
For a peek inside
their world, come along as I talk with Greg Gueldner and Eric Stock in
their humble little home on wheels:
RNW:
What’s changed for you now that you have your careers
being watched over by a major label? Has the process changed?
Have you been influenced at all since you went from a self released project
to . . .
(Eric taps
on the walls of the plush tour bus)
RNW:
The tour bus is nice.
Eric:
You’re sitting in it! This is life.
RNW:
Yeah, its not exactly a cargo van or an ambulance.
Greg:
Yeah, it doesn’t suck. This is life, this is it. I mean, this
changes everything. Just to be able to sit out here before a show
is just unbelievable, you know? Its like, this is the part, I never,
it was always a thought in my head, getting the tour bus, when I was younger
and everything. But now that its really here, its like wow.
This is amazing. Being in a tour bus is like the coolest thing in
the world.
Eric:
The first step is getting a road crew. Guys to set up and tear down.
That was the first sign.
RNW:
It is very cool to have someone carry your gear and tune things.
Eric:
I feel lucky with that because being a drummer, there’s more to do . .
.
RNW:
Then you’ve had a really hard time. You’re really doing well then
- you’re looking for the guy with the drum key and you’re going "yay!"
Eric:
But now, with this and that together, that is the ultimate dream for anyone
who plays in a band.
Greg:
Tour bus (motions around), road crew.
Eric:
Its amazing.
Greg:
We’ve only been in this thing for four days and we’re still very, very
excited.
RNW:
You still haven’t felt cramped in the little sleeping compartments?
Greg:
Its just until we get individual tour buses, that’ll be the next step (laughs).
RNW:
Do the Stones have individual tour buses? (All laugh)
Greg:
I think they have individual jumbo jets.
RNW:
I’m sure. It seems like you guys have pretty much paid your dues
for your ten year "over night" success. Things have changed since
your self booked national tour, huh? That was kind of a labor of
love, I think.
Greg:
That was a lot of work, yeah.
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