Vision Divine and "Destination Set to Nowhere" are both strictly in tune with the power/progressive metal postulate; you'll know exactly what'll happen if you have any familiarity with it at all. I really can't think of much else to say, honestly. It's just progressive/power metal doing what progressive/power metal does. The riffs are hooky and fun, and the keyboards are really involved with the overall dynamic, which is definitely cool. However, it feels like a very standard release that runs through the motions. I mean, there are legitimate songs like "The Dream Maker," utilizing driving riffs and powerhouse choruses. That's only a sizeable sample of the album, however. I think Fabio sounds better here than he does in some of his Rhapsody of Fire material. This, of course, is probably due to the remarkable differences between his projects, and there's no doubt his voice is much more of a factor here than his main band.

At times this feels more like an episode of Lost In Space that indeed focuses on being lost in space. Some of the songs feel boring and directionless from beating the universal—pun or not, I'm leaving that up to you—algorithm into stardust; it's reasonably an exhaustion of a successful foundation throughout its weaker parts. "The House of the Angels" has acceptable riffs, but it overall seems loosely constructed and flaccid; almost entirely forgettable overall. "Here We Die" starts off with a Slayer-esque riff and generally sounds like it's going to punch your face into a black hole, but they end up mucking it up with some of the rehashed ideas that, for some reason, wiggled into the song. Oh well. The closing title track does little for me as well, and it's safe to assume "Destination Set to Nowhere" loses its touch as it progresses.