The genetic constructs of "Bringer of Light" aren't radical or complex compared to many of the aforementioned groups that clearly inspired these Brits. "Bringer of Light" is all about the orchestral elements, using thick, dazzling movements surrounding every corner of the band's power metal attack, and the atmosphere, which happens to conjure a cloudy, melancholic semblance not far from Kamelot's. They prove early on to be an incredibly incendiary bunch, opening with ten minutes of elegance throughout "The Longest Day of my Life" and then jumping into numbers that are a bit more commonplace among the power metal herd. Everything they deliver is all about substance and exceptional songwriting, and they never tumble over the symphonic instruments or appear enslaved by them.

The orchestral movements are outstanding, on the same level of ingenuity and grace as Xystus' "Equilibrio" (both albums are quite similar in a lot of ways). I'm not sure if the arrangements are actually real or not (blame that on a quick Google search that didn't yield anything relevant and my general laziness), but they sound bold, colorful, explosive, authentic. Clearly the prime strength of the record's efforts is found throughout the longer tracks, especially "Pride (The Warrior's Way)." Have you ever heard a Japanese-inspired power metal epic? If not, look no further. The song's folk atmosphere and color, mixed with the sturdy guitar work and symphonic structures, are unbelievably stellar, and it's one of those one-of-a-kind landmarks within its sound—I can't think of a similar group that would even consider attempting such a feat.