Rêx Mündi's approach could be synchronized with some of their supposed countrymen like Deathspell Omega or Blut Aus Nord—not to imply the band has purely authentic connections on the musical end to either group, mind you. Their style is fairly basic and not, making use of the typical guitar and percussion work often found in black metal — tremolo picking, blast beats, slow riffing sections that can elevate levels of paranoia at night, etc. — which are all condensed into songs that generally spark beyond five minutes (up to ten on a few occasions) with several sections stitched within each gospel. They aren't doing anything remotely original in the process, but the apparent frenchies have some truly remarkable sections in the woodwork. "Naphtali" and "The Flesh Begat" have an overload of memorable moments both catchy and instrumentally impressive through the shifting mold of cataclysmic guitar work and overall extremity following Rêx Mündi's blackened blood, and it's a theme they thankfully utilize for the whole album.