Those expecting a normal show of blastbeats and mediocre riffs will be surprised with Bitchslicer's surprisingly thrashy style. King Gary's shredding show has many similarities with several known thrash groups due to the familiar heavy atmosphere and relentless speed. The wide variation of unique riffs is definitely one of the highlights here because the huge musical field allows more flexibility with different sounding material that's typically used in every song. Gary's solos are also in the vein of many classic thrash bands, yet they appear at certain unexpected intervals and sound fantastic. The production is strange to be honest, but it makes some items sound better. The bass drum benefits from the bizarre production job because it sounds poppy and loud; it may sound weird, but the percussion benefits from this nevertheless.

Though thrash influences are the primary weapon here, Bitchslicer experiments with some different musical elements throughout this disc. Some of the songs step out of Bitchslicer's range, like the melodic "Night of the Demons," or the industrial-laden "Bitchslicer vs. The Police," which is a bizarre combination of samples and pulverizing thrash riffs. The hilarious acoustic "Gimme Some Head" and a cool remake of Willie Nelson's "Mommas" also divert the direction of this CD in many pleasurable ways.