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Quality records have been the law for Anubis Gate. Silently and without much to-do they have coughed up a number of enjoyable releases without dropping the ball over singer swaps and the general grind of time.
- Read the full Anubis Gate - Horizons review
Riffs that churn slowly are recurrently strewn over strange black metal parts lurking deep in the chasm of "Oblique to All Paths," while samples and feedback augment this forlorn world to make it feel uneasy and calamitous.
- Read the full Culted - Oblique to All Paths review
"World of Tombs" is perfectly listenable, sure. The problem I have with it is that it is so conservative, so foreseeable, so willing to take the easy way out when things get hairy.
- Read the full Horned Almighty - World of Tombs review
Is the last bite as good as the first? Well, "Invictus" has the decency to rightfully accept its place as the weakest chapter in Virgin Steele's three-part "The Marriage of Heaven and Hell" saga.
- Read the full Virgin Steele - Invictus review
The style and general execution are commonplace, but Striker's focus is on unloading a good time of heavy metal without trend-whoring their dignity to death. "City of Gold" is solid as steel, nothing like the run-of-the-mill plastic crap.
- Read the full Striker - City of Gold review
"Esoteric Warfare" is in its own little world-one owned by Mayhem, of course. The big elephant in the room is the departure of Blasphemer, who proved to be an integral part in the band's creative avenues during his tenor.
- Read the full Mayhem - Esoteric Warfare review
"Part One" is a masterpiece, no debate. And you know what? This isn't even Virgin Steele's best album. From its whispers to its screams, "Part One" is as good as it gets.
- Read the full Virgin Steele - The Marriage of Heaven and Hell - Part One review
The Swedes know how to do heavy metal-no big secret there. "Crossroads" is heavy metal at its absolute best and a superb moment in the evolution of this wonderful band. A masterpiece? You better believe it.
- Read the full Portrait - Crossroads review
"The Pagan Manifesto," in some ways, changes the game for Elvenking. I'm not going to call the record a masterpiece, because it's not, but clearly there were huge improvements in nearly every category that needed work.
- Read the full Elvenking - The Pagan Manifesto review
"God is Evil" lives up to its name. Eight minutes of solid, wicked, blitzing death metal cooked to bring out some serious neck injury and old-school carnage. A nice sample, but we want the whole meal!
- Read the full Morgoth - God is Evil 7 Inch review
Big on the thrash metal/crossover motifs of Suicidal Tendencies, Cro-Mags, D.R.I., and Cryptic Slaughter, "Split Image" created ample room for Excel to stand up next to the big boys
- Read the full Excel - Split Image review
Three brilliant songs and unnecessarily redone oldies. That's the story of "A Fallen Temple": from excellent to excessive, debatably redundant; a bit of a weird one. Nice Paradise Lost cover, though.
- Read the full Septicflesh - A Fallen Temple review
Plodding, monotonous doom numbers crammed alongside FOUR useless instrumental tunes stack up to almost forty-five minutes of these American doomsters asleep at the wheel.
- Read the full Pilgrim - II: Void Worship review
The great thing about "Leprosy" is that it's not necessarily the seminal Death album, but for several reasons the seminal Death album of a certain era of the group when the band was undoubtedly at its peak.
- Read the full Death - Leprosy review
Lightning strikes twice for these Greek magicians, and I'm rather fond of visiting the land of "Oi Magoi," where the non sequiturs make a frightening amount of sense and the cogs of perdition tick, tick, tick on clocks.
- Read the full Hail Spirit Noir - Oi Magoi review
"A Skeletal Domain" sounds exactly how any death metal journeymen will picture it, and it comes away winning over the carved-out hearts. An abattoir's delight.
- Read the full Cannibal Corpse - A Skeletal Domain review
Titan" gets its dagger in the heart through mundane songwriting and lethargic performances that have absolutely nothing to say or show on their own and instead lean on the huge symphony to carry the weight.
- Read the full Septicflesh - Titan review
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