This music is epic in scope (and Danish, too), painting grand landscapes of elegant space rock, mixed with bare bones garage rock all backed with the delicate, high-pitched and ghostly voice of frontman Jonas Bjerre. You never know where one song's bass line will lead you; it usually just drags you along anyway, flooding your mind with bionic rock anthems and eerie, ambient beds of backup synth. Think Sigur Ros meets The Bends, with elements of M83 and you start to get a picture.

We get everything that was on the EP sans 'Comforting Sounds,' which is a mini-epic in itself. The brilliantly crafted 'Zookeeper's Boy' sounds more at home here amongst like-crafted songs such as 'Why Are You Looking Grave', a piano driven, tender preface and oracle to the rest of the album, 'A Dark Design,' a somber yet jarring anti-ballad that changes directions throughout to great effect, and 'Louise Louisa', a gentle, percussion led anthem halfway through , then leaves frontman Jonas Bjerre singing by himself with an eerie echo that leaves you with a feeling that he and the rest of the band just disappeared back into space where they came from, and an extremely appropriate closer to a most excellent record.