The material mostly rocks but there are moments that are country-tinged, and other odd elements poke out from time to time. The first four cuts kick off the record in a big way. "Photograph" has a solid boogie foundation that has swagger written all over it. By the time you get to the chorus, you're hooked. My favourite cut on the record is the next one, "Frequency", with Liz tossing off some short chords anchoring some choppy verses before crashing into a great chorus.

Things slow down a bit for the ballad "Alive (Conversations with an Angel)", which is excellent. "Thin Blue Line" goes back and forth on some different styles but all meeting together nicely. Liz covers "Going to California" (Led Zeppelin) here and does an excellent job. The acoustic part is nice and when the band cranks in, it's even better.