That said, let's dig into the disc. The 23 tracks float mostly in the range of 2-4 minutes, but actually stretch from the 15 second "One-String Improvisation" to nine and a half minutes of "The Woman in Seat 27A." Incidentally, these two songs serve well as endpoints on the spectrum of the music as well: "One-String Improvisation" is little more than slightly musical noise, done purely for entertainment's sake; "The Woman..." is an atmospheric piece that kicks in the distortion with 2:30 left (perhaps to bring you out of the trance induced by the first 7 minutes) but uses a clean guitar tone for the solo throughout.

There's the bizarre "There's No Money In Jazz," which alternates from a ridiculous machine-gun riff to a goofy melodic groove; "Print This!" which, taking a cue from Pink Floyd, uses the sound of a copy machine as an intro rhythm; the token ballad with vocals, "Happy Hour," sounds like a slight nod to John Mayer sans poetic lyrics. There's also a hyperactive cover of "Smoke On The Water" where Mattias freaks out on his guitar to play the melody-purists need not apply, but it's entertaining if you're into instrumental music and experimenting. Speaking of hyperactive covers, Mattias also gives a nod to his Gypsy jazz inspirations and performs a version of the Django Reinhardt standard "Minor Swing."