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3rd Strike

Today we get to talk with Jim Korthe, the frontman from 3rd Strike, a new band that is burning up the rock scene with their debut album ďLost AngelĒ.  Jim grew up on the mean streets of LA, ran with gangs but left the gang banginí days behind to seek out a refuge in music. He got his first national exposure in Dimestore Hoods, the band he formed with Todd Deguchi who were one of the first bands to combine rap and rock. 

Though Dimestore Hoods landed a major label deal with MCA, as Jim will tell you in the interview, things kind of feel apart with the label and Jim and Todd decided to team up and start a new band, the result is 3rd Strike, a band that combines various styles of music together, from hip-hop to metal, from R&B to rock. Here is your chance to get to know 3rd Strike and get some insider info on their debut album ďLost AngelĒ. 
 

RNW: Can you tell us where your name 3rd Strike come from? 

Jim: Thatís from the 3 strikes felony law in California. With 3 felonies you do life in prison, 25 to life.  ( a howl comes from someone in the background, perhaps admiring a young lady? Jim yells out a resounding ďshut up!Ē 

RNW: Can you tell us a little about how your band formed? 

Jim: The guitarist Todd and I formed a band back in 1988 and kind of came up with our style and that band got signed to MCA, kind of fell through, we had a record out for a while but MCA fired everybody. Then two years ago we formed this band, 3rd Strike. Met the guys through a drug rehab kind of thing. 

RNW: How did you guys land the deal with Hollywood Records?

Jim: It happened pretty quick, I mean, we wrote a bunch of songs, we were demoing at a studio over by the guys from Pennywise and Fletcher remembered me and Todd from our old band, which came about the same time as Pennywise. He heard a song and liked it, he gave it to his manager and his manager came by a couple days later and about a month later we were signed to Hollywood. 

RNW: Weíre you guys doing the Rap-Rock back in 88?

Jim: Yeah. It wasnít as a, we had a bunch of heavier kind of rap-rock songs but the producer kind of cut a couple of them off the record. So it was more, like this record we had a lot of different styles, like regular rock songs and stuff. Kind of mixed it up. 

RNW: But you guys are kind of pioneers in the whole rap-rock field? 

Jim: We came up right around the same time as like Rage and Downset and them. 

RNW: Now that it has become really popular, what do you think of the bands out today who are doing the rap-rock? 

Jim: I like Downset a lot, I just, you know, I like bands that take it, flip it up and make it their own style. I donít like going to see bands that the singer acts exactly like Zack from Rage and sounds like him, I just think thatís lame. I like bands that flip it up with their own style. 

RNW: You guys have a lot of cool tours coming up, Warped Tour, a string of dates with American Head Charge and Gravity Kills and Ozzfest!  Which tour are your most looking forward to?

Jim: Iíd say Ozzfest, weíve never been on it. We were on Midwest dates last year of the Warped Tour, so we know pretty much what to expect about that, but Iíve never been on the Ozzfest and Iím looking forward to it, you know, being on the same stage as a lot of really good bands and playing for a big crowd. 

RNW: You guys did a really cool cover of Black Sabbathís ďParanoidĒ, what inspired you guys to cover that song?

Jim: Actually, we did it, it was supposed to be the title track of this movie that was called Ultimate X, they changed it to Ultimate X but it was gonna be Paranoid and it was an X-games movie. They approached us to do the title track, to do ďparanoidĒ and we were kind of skeptical at first about doing it and then cuz a lot of times when I sing in a high register I sounds a lot like Ozzy, you know, it was kind of an honor to do a song like that. We did it for the soundtrack and they ended up just using the original and they didnít call it Paranoid, they called it Ultimate X. So we had this recording of it, we really liked the way it came out. We werenít gonna put it on the record at all. The reason we put it on there is we liked the way it came out, we had DJ Muggs from Cypress Hill came down and cut on it, it just came out really good. 

RNW: Who are your main musical influences? 

Jim: Mine or the bandís? Theyíre a lot different. Mine, I like old R&B like Al Green, Smokey Robinson, you know, Marvin Gaye. A lot of old reggae and definitely, I grew up as a metal kid, I was a drummer coming up so, listening to Slayer, Metallica way back in the day when their first records came out. And then hip-hop, I like a little hip-hop. So we have like, as far as my contribution to the band, I have a lot of styles that I like. I try to put all on my influences together and pretty much came up with this record. I think that it kind of represents all the different kind of styles that I like. 

RNW: Cool, so what is writing process like?

Jim: The guitarist come up with rhythms, usually put it on 4-track with a drum machine and I come up with an idea, come up with the raps, you know the rap patterns, the lyrics and the melodies and then we pretty much make a skeleton of the song with verses and choruses and then bring it to the rest of the band and we put it all together, the whole song together in the room. Just jamming. 

RNW: Now what Iíd like to do it cover the album track by track. Iíll give you the name of the song and if you could give us a little background on it, like the meaning or a story associated with it? 

Flow Heat

Jim: Flow Heat talks about dealing with your problems with drugs and kind of feeling, itís kind of like how I was feeling when I was messiní with certain drugs and it just kind of came out as venting as far as feeling emotions. Thatís what that song is pretty much about. I mean, there is a pretty big topic, you know, the main topic is a lot of despair and itís not like I thought out to put those in the song, I just pretty much wrote about my real life, what I go through and what I lived through. 

RNW: Iím sure a lot of people can relate to it, thatís been through it. 

Jim: Yeah, definitely. 

Walked Away

Jim: That oneís growing up without a father, a father that wasnít there and then him trying to come back into my life when I was a grown man, and pretty much just shutting him down, like ďI donít know youĒ. 

Redemption

Jim: Thatís an old love/hate relationship I had with a girl. The more I treated her like s*** the more she wanted me. 

RNW: Yeah, isnít that crazy?

(laughs)

Jim: yeah it is! 

All Lies

Jim: Thatís pretty much self-explanatory, thatís pretty much everything that Iíve ever felt was a lie, that weíve been taught that is kind of true. I just put all the anger I had into that song, itís a pretty angry song, it goes off good like, thatís always our closer. 

No Light

Jim: No light was a song, I had the music for awhile, didnít know what to do with it. I had the melodies; I just didnít have the lyrics. I went to visit a friend of mineís grave, he was a good friend of mine who was killed in a drive-by, it was maybe seven, eight years after he died, I finally went to his grave and when I came home that day, I came home and put down the lyrics of whatever I was feeling at the time. Thatís kind of what inspired me to write that, I was like, you know the verses are kind of sad and the choruses are angry and those were the two emotions I was going through, after I got backÖ

RNW: You guys have a lot of really heavy subject matter in your music.

Jim: Yeah, like the thing is, I like to do lyrically. I canít back a song that I donít believe in. Iíve tried to write like party songs and s*** and it doesnít work for me. 

Cities On Fire

RNW: Cities on Fire was kind of like the same thing I was going for when I called the record ďLost AngelĒ, itís kind of like what my version of what Los Angeles is.  You know, what Iíve lived through in Los Angeles, not what the media, the movie stars, the glamour, you know the movie studios. Itís more like the porn industry, the gang violence, the police brutality, a modern day Babylon kind of. 

RNW: Yeah, I know when I take people up to like Hollywood, who arenít from out here, they trip out on what it is really like. 

Jim: Exactly! 

Breath It Out

Jim: Breath it out, talks about the realities of what I felt when I was departing from the gang life. Some of the lyrics in there are kind of cool like, ďno oneís got your back when itís time for you to go, cuz when you leave this world, youíll be going out alone.Ē Itís pretty much a song of hope about my experiences in the neighborhood. Iím not really preaching to anybody, just getting s*** off my chest. I donít really like bands that preach. 

RNW: None of this came across as preaching. 

Jim: Yeah, just kind of just getting it off my chest what Iím feelin at the time. 

Strung Out

Jim: Strung Out is just straight, being addicted to drugs and feeling really hopeless, you know the more hopeless you feel the more drugs you do.  It was actually at a time when I had gotten sober so it was like in a different perspective, trying to pretty much get over that. 

RNW: So has sobriety helped you in your songwriting?

Jim: Definitely, most of these songs were written when I was clean. When I write loaded and when I write clean there is a totally different mindset. So I think in a way it does help me in my writing. 

At this point, Jimís cell phone got cut off and we werenít able to get him back to finish the interview, but despite that setback we did end up with lots of great insight into 3rd Strike and their debut album. So go check it out for yourself and donít forget to catch 3rd Strike live this summer as they tour with the Ozzfest! 

Want more?

Visit 3rd Strikes's Official Website to get the lowdown on the album get more info on the band and the latest news and multimedia files.


Listen to sound samples and Purchase "Lost Angel" online



 
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